"Carousel": “You’re right about there being no wind. The blossoms are just coming down by theirselves. Just their time, too. I reckon.” has always strongly resonated with me, for whatever reason. Actually, the whole If I Loved You sequence is perhaps my favorite scene of all time. It's so innocently playful while also telling the story so beautifully. It's the equivalent of hesitation and blissful and innocent rebellion.
"Ragtime": "Oh, you love the girl on the swing. Well, now you can say she kissed you! But she could never love a man as poor, or as thin, or as....nice as you. I'll blow you a kiss from the stage tomorrow night! If I haven't forgotten all about you." Now, I don't know how it was played in the original production, but the way Savannah Wise played this line, she was playing a facade for the press. But underneath that, I think the purpose of the line was to self-sabotage what could be the first productive and healthy relationship she's ever had. But she doesn't think she's worthy of someone nice, because she's never been with someone nice. I don't know, that's just my interpretation. I adore the way Savannah found the nuance of Evelyn Nesbit. She did so much with her very little time on stage.
They/them.
"Get up the nerve to be all you deserve to be."