How can people on ATC complain that the score does not sit well with Bette or more generally complain about her vocals? Channing barely sung a single note. The role is not Rose, Edie, Mrs Lovett etc. - I don't understand why some of the ATC people are trying to carefully analyse her vocal performance here - the show is a farcical/whimsical/frivolous old fashioned American Broadway musical. Not a pretentious technical showcase for a singer or actor. You need an engaging, warm larger-than-life personality with good comic timing - and it's hard to ask for more than Bette or from Bette (curious how Donna Murphy will go). Just weird.
And to the people on ATC claiming the show feels 'tired' - it just makes no sense. The cast are probably having the time of their lives right now in a recently-opened show, playing to bigger and more enthusiastic audiences than they have ever experienced in their lives. I can't help but feel it probably reflects more about themselves than the show.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
iStage Door Sally said: "I just went give Dollypop and others on here a big hug. I have never been so emotionally engaged in a Broadway production before, I didn't think tears of joy would be welling up again....
Thanks for the Hug, Sally. Returning it and sharing it with the whole world???
Ha, Brantley devoted like four sentences total to other performers or design elements of the production. He gave Pierce good praise, but otherwise, it was all about Bette.
qolbinau said: "How can people on ATC complain that the score does not sit well with Bette or more generally complain about her vocals? Channing barely sung a single note. The role is not Rose, Edie, Mrs Lovett etc. - I don't understand why some of the ATC people are trying to carefully analyse her vocal performance here - the show is a farcical/whimsical/frivolous old fashioned American Broadway musical. Not a pretentious technical showcase for a singer or actor. You need an engaging, warm larger-than-life personality with good comic timing - and it's hard to ask for more than Bette or from Bette (curious how Donna Murphy will go). Just weird.
And to the people on ATC claiming the show feels 'tired' - it just makes no sense. The cast are probably having the time of their lives right now in a recently-opened show, playing to bigger and more enthusiastic audiences than they have ever experienced in their lives. I can't help but feel it probably reflects more about themselves than the show.
"I've never been on ATC...who's the audience on that board? That tells a lot!
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
I've been paying to see Midler in concert since I was 26. Suffice it to say, not yesterday. Have seen every iteration since, both the Majestic and Radio City in NYC. This review is a career high for her, and though I haven't seen the production yet, it wrings tears just to read such a loving appreciation of her gift, and its fit in this show. Not going til August, but never felt happier for any beloved performer.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Robbie, thanks for posting all those wonderful photos.
Sadly have to wait till Jan to see it
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Let's just put the ATC thing in perspective. That board has always been filled with toxic jerks. I stopped posting there ages ago because of them (and I was one of the first people to post on that board when they first began). First of all - Jesse. He's a guy. He posts there. He's NOT a critic any more than anyone else who posts there is a critic and yet he has, for years now, acted like he's an official critic. Matthew Murray - I like him as a person, but he's an odd "reviewer" - and he's not paid to review anything, just like people on Broadway World aren't paid to review - they're just people who want free tickets and have a site to post their thoughts. I get it, but... Perhaps Talkin' Broadway will make Jesse their "critic" once Matthew departs. I'm sure that would warm the cockles of his egocentric little heart.
And yes, you knew the bitching by the usual suspects would begin the minute this show got praised everywhere else. They can't help themselves. And Jesse is merely one of that pack, IMO.
This really is a superb revival on all levels. Glad the critics got it right. Are we sure Terry Teachout was at the right theatre? Maybe he saw the Great Comet. This was the best production of Dolly I have ever seen!
Did anyone really expect a fair review from a newspaper owned by Rupert Murdoch? He is pouring millions into bolstering our very own Agent Orange, and Bette is one of his most vociferous critics. Mystery solved.
The only ones who need to lighten up are the ones who were starting to plummet into a meltdown over one controversial review. You knew the rest would be super, just as we all knew when Bette announced her casting as Dolly that she was the shoo-in for the Tony, as would the production be. Bette's involvement was going to secure this production with the brightest and best of Broadway. As I said, there was no need to worry, folks. It got the reviews we all knew it would.
DAME said: "No consern . Just having fun and excited . Lighten up.
Public User said: "Did anyone really expect a fair review from a newspaper owned by Rupert Murdoch? He is pouring millions into bolstering our very own Agent Orange, and Bette is one of his most vociferous critics. Mystery solved.
"
This is one of the dumbest statements on here. There's no "conspiracy." The NY Post is owned by the Murdochs and they it was absolutely glowing towards her:
I wonder how After Eight -- who considers Teachout our best critic, btw -- isn't shattered by this response. It is in every way a violation of the agenda he ascribes to the theater intelligentsia.
CHURCH DOOR TOUCAN GAY MARKETING PUPPIES MUSICAL THEATER STAPLES PERIOD OIL BITCHY SNARK HOLES