BroadwayGuy12 said: "Kad said: "Call_me_jorge said: "I’m just surprised another producer doesn’t/hasn’t filled the void Rudin left. Tom Kirdahy has come close."
Greg Nobile/Seaview is the closest analog in terms of what they’re producing and how, and likely wouldn’t exist without Rudin serving as a model."
Interestingly, the following statement from Rudin in the NYT profile felt pointedly aimed at Nobile/Seaview, although maybe I'm just reading too much into it:
“'I think the economics of Broadway have gotten tougher and tougher, and that some producers are throwing movie stars at that model as a way of cauterizing the bleeding,'he said. 'But I don’t believe it’s a sustainable model because overall, what has historically worked has been really good shows with really great people in them, whether they were movie stars or not. And I think using stars as a replacement for quality has a sell-by date printed all over it.'”
He said he worried that there was 'a paucity of work that’s truly, truly achieved'and too much work that feels 'first drafty.'”"
Where is the lie? Nobile/Seaview clearly think they’re serving event theater in the way Rudin did pre-Covid, but they haven’t even come close to reaching the heights of a HELLO, DOLLY! or THREE TALL WOMEN.
Rudin may have been a monster, but there are countless people in this industry who are even worse than him - and get away with it. Let’s hope his comeuppance has humbled him a bit.
I’m ready for some more meat and potatoes on stage in New York, so I say bring it on.