I saw this from the Mezz and it was definitely LOUD but I was still able to hear nearly every word. Wondering if the balance isn't right in the Orchestra? I could see being under the Mezz overhang as a potential problem. But up in the Mezz I actually thought it sounded pretty good.
Totally agree about audiences for this one -- many think they're going to a rock concert where they can scream along and show up late. I tried to zone them out as much as possible.
Anyone who regularly attends live musical performances should invest in a pair of high fidelity earplugs. I've worn these regularly for years, and they lower the volume/decibels without sacrificing clarity. In many cases, I think they make the audio clearer by taking the edge off high frequencies, making them less strident and easier to listen to. They also help with super loud clappers and shrieking/screaming audience members, which are the bane of my theatregoing existence.
GottaGetAGimmick420 said: "when did mediocrity become the standard?"
It’s their first weekend of previews. Any kind of technical issues are bound to be worked out during this time. Getting the sound balanced, especially in a show like Tommy, is expected to take some finessing. If you want a technically perfect performance, don’t buy a ticket to previews. The only thing mediocre here is your knowledge of the process.
Gareth Owen is the sound designer and he's maybe the best in the biz when it comes to rock/contemporary musicals (MJ, Juliet, Come From Away, upcoming Hell's Kitchen).
I'm sure there will be crystal-clear sound balance in a matter of days.
In terms of the volume, he may have Pete Townshend (who's been hanging around the Nederlander) in his ear saying CRANK IT UP!
“iT’s PrEvIeWs, YoU eXpEcT sOuNd IsSuEs!” except we didn’t pay for them at those prices."
It's nearly impossible to have a perfect sound design in the first few previews. Things change when all the seats are filled with bodies. 10th preview? Sure. But you "sent" your family to the first preview.
I’m not so sure this is traditional first preview sound problems. Broadway has had a hard time amplifying some rock shows especially when the band is involved. Granted this level of amplification is relatively new to Broadway houses however bands routinely go into smaller venues like Webster, Hammerstein & the Beacon and are not this painfully loud. Even if they are, the audience in the front of the house is usually high AF, head banging and full of adrenaline. They move around. That’s a different behavior than having high decibels blasted at you while you’re cramped in a tight seat and your head can barely move for two hours. Hopefully they get this resolved. I’m going to wait before I purchase tickets until others report back because I’ve gone through this before — and it hurts
"I’m not so sure this is traditional first preview sound problems."
It's certainly possible. It's a different ballgame for sure. But they have hired the expert at this kind of sound design and there weren't reports of this in Chicago so... I'd lean toward it being preview issues and things get worked out in time. I hope!
I saw this last night... well, I saw the first half hour of it last night. What I saw was seriously amazing, so impressive, but SO RELENTLESSLY LOUD that I had a panic attack and had to leave mid-Act 1. It wasn't even about my ears hurting (which they did), but I could feel the sound in my entire body - it never lets up. (Relevant detail: I took a low dose of shrooms which likely heightened my senses and aided my spiral.) As I said, it was visually and dramatically so impressive, I do want to go back and see the rest... just bought the ear plugs Taffy recommended. Agree with East Village that withstanding this intensity while being crammed into a seat with little legroom is different than being at a concert where you can let your body move.
TaffyDavenport said: "Anyone who regularly attends live musical performances should invest in a pair of high fidelity earplugs. I've worn these regularly for years, and they lower the volume/decibels without sacrificing clarity. In many cases, I think they make the audio clearer by taking the edge off high frequencies, making them less strident and easier to listen to. They also help with super loud clappers and shrieking/screaming audience members, which are the bane of my theatregoing existence.
Agreed on always having high fidelity plugs at concerts and any amplified performance. I've been using one version or another of the Etymotics brand for over 20 years, also available at Amazon.
I don’t remember it being too loud at the Goodman. I just remember thinking the band sounded kind of cheap? So maybe they’ve flushed it out a bit more.
I went tonight. The seat was Orch R B10 (lottery ticket). I was right under the speaker and brought ear plugs but it was borderline in terms of being too loudness so I ended up not using them.
Des McAnuff came out before the show, and explained that they were putting in a bunch of new changes for the first time tonight, but not having seen the show before, I don't know what they were.
He also mention some people from the casts of MJ and Hell's Kitchen were in the audience. If I was in MJ and it was my day off, not sure seeing a musical where a young boy gets molested is how I would spend it.
Did anyone see the 1993 Original production or any of the tours back in the 90's?
This show is LOUD! From the first cord struck, it made the audience first scream a little, and then sit down and experience this show. It is not a normal theatrical performance. I can remember the shot guns the first 2 minutes in and it shook me, but it was awesome to be in a Broadway theatre and hear how loud and energetic it is. I was once in the last row of the balcony and it was loud up there. The show lasted a long time and people loved it. They also hated and walked out because of Uncle Ernie. That was a major event and people were gone or hated then show because of the blatant abuse.
I went and joined the tour a year later and can tell you, no matter what city we were in it was the same level of sound. That's what they wanted and that's what they got. Being on stage with it, some of us had earplugs for certain numbers or you got used it.
I just wanted to be honest, since Des is at the helm, they are not going to lower anything. It has its audience.
Jonathan Cohen said: "I went tonight. The seat was Orch R B10 (lottery ticket). I was right under the speaker and brought ear plugs but it was borderline in terms of being tooloudness so I ended up not using them.
Des McAnuff came out before the show, and explained that they were putting in a bunch of new changes for the first time tonight, but not having seen the show before, I don't know what they were.
He also mention some people from thecasts ofMJ and Hell's Kitchen were in the audience. If I was in MJ and it was my day off, not sure seeing a musical where a young boy gets molested is how I would spend it."
Oh dear Lord. Let it go. The subject matter in MJ is not the same as in Tommy so why would the cast of MJ, specifically, have a problem with it? Also, productions send invites to other productions on their nights off so that they get to see other shows and support friends that are in them. A lot of performers look forward to those evenings.