LesWickedly said: "I was fine with Tveit's performance. Not revolutionary, but there's been multiple years with underwhelming wins, it's just natural. You have a year like 2017 where every Best Musical nominee could have won in another year and followed directly by that you had 2018 where The Band's Visit was the only worthymusical (albeit one of the most worthy ever).While yes there were some exciting shows coming in, this was already seen as a very weak season. I love the Tonys and respect their significance and meaning (which is why I'm not really for the Best Ensemble Tony, unless it is just a production award and not awarded specifically to each performer), but this is a time like no other and having a Tonys like no other just is fitting. Again, as I stated before, Adrienne, Danny and Lauren were already favorites to win andbeing so hung over Aaron winning is frankly ridiculous. Again, it was shaping up to be a weak year leading actor wise too.
I just don't really understand why people are being so negative about this. I don't think anyone in the future will hold this ceremony to the same standards as other years. It'llalwaysbe regarded as the Tonys the year of the shutdown. At this point it is very likely we won't get the awards next year. I've honestly been typing too long and forget what I've even said but pretty much there has been weak seasons before, don't let your personal hangups be a reason to act like handing out awards is disgraceful.
To top this all off, I'm rooting for Jagged to win (and yes, despite the many criticisms, think it would've had good chance to win in the full season.) A show that (,maybe in too many ways tries to,)speaks to now and I do think the Tonys will take note of that, especially with the state of the country being what it is and these awards nowtaking place assumingely weeks/days before the election."
Fully agree on Jagged. It would’ve been pressed to fight against North Country and Six, but it stands strong even without those two taken out of the race. Plus its relevance, not to mention the cast, are factors that are totally gonna help it upon reopening. I mean, Lauren Patten is a front-runner for Supporting and could probably win it on the basis of “You Oughta Know” alone, Elizabeth Stanley still has a shot for Leading despite going up against Warren, Antonio Cipriano is a heartthrob among the Broadway stans, not to mention the huge fanbases behind Klena and Gallagher. (Krill and Gooding are also just as incredible!)
Also, if they were to implement the Ensemble award this year to try and flesh things out (cough cough), this one is *really* promising.
I really think they have it in the bag. Alanis might make her 2020s comeback after all.