Most great roles in musicals usually get at least one big number, but occasionally theres ones that dont get that but can still be a major standout regardless. What are some examples of these?
The idea for this topic came to my mind because I was thinking of The Bands Visit, and how Tewfiq only sings a couple of bars even though hes one of the leads. Despite not singing much, the part is a great, three dimensional, funny and tragic character.
It will be hard to find a better example than the one you posted but I suppose Desiree in A Little Night Music?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
poisonivy2 said: "Professor Higgins in MFL doesn't really sing. Does some sing-speaking but no actual singing."
I wouldn’t really count roles like Henry Higgins or King Arthur, as while they’re performed as talking instead of singing, they still have their fair share of musical numbers.
Another example I thought of was Sir Lancelot and all the various roles that actor plays in Spamalot. He only gets a few scant solo lines, even in his big number, but he makes up for it by getting to play an assortment of scene stealing characters.
qolbinau said: "It will be hard to find a better example than the one you posted but I suppose Desiree in A Little Night Music?"
Desiree doesn't have to be a great singer, but she has her fair share of songs, what with "The Glamorous Life," "Send in the Clowns," "You Must Meet My Wife," and the finale.
Makarova won a Tony for playing the ballerina in On Your Toes. I don't think she sang a note in the show. She was actually terrific in there role and gave a great comedic performance in addition to her dancing.
Disagree re Henry Higgins. Those are songs. The fact that Rex Harrison talked (mostly) rather than sang them was due to his great diction and lousy singing voice.
Re Desiree, for the lead role in the show, she really does have very little singing; one solo (a short song at that), part of the entire ensemble in The Glamorous Life, and not a You Must Meet My Wife, essentially some sung dialogue. I doubt there is another female role out there is which the leads less singing.
My favorite example of this phenomenon would be the title character in THE KING AND I. King Mongkut barely croaks out the rhythmic speaking in “A Puzzlement” and a couple of lines of “Shall We Dance”. Did I miss anything else?
Someone in a Tree2 said: "My favorite example of this phenomenon would be the title character in THE KING AND I. King Mongkut barely croaks out the rhythmic speaking in “A Puzzlement” and a couple of lines of “Shall We Dance”. Did I miss anything else?"
I would lump that into the "cheating" category with Higgins and King Arthur. Sure, it doesn't have to be melodic singing and it's largely an acting role, but "A Puzzlement" is still a 5-minute song.
There’s another thread on this subject, but other “principal” roles that don’t sing AT ALL include both Doc and Schrank in WSS and Roy in The Light in the Piazza. The Warden in Kiss of the Spider Woman is a decent sized acting role, but he sings like maybe 32 bars in the whole show.
Someone mentioned Jeff Douglas in Brigadon, which is a rather large non-singing role (although he sings in the movie).
And yes, the Lancelot track in Spamalot is I believe a completely non-singing role except maybe a couple full company things. King Arthur also sings very little considering he’s basically the lead.
Everyone in Contact for sure! (h'yuk yuk) Most/all of these are supporting roles though.
First that comes to mind is the Narrator / Mysterious Man track in Into the Woods. A great role, and is essential to 4 songs in particular, only actively singing in 2 of them ("No More" being the one with the biggest emotional impact). It's a role that has often gone "Rex Harrison" in casting. I know the Mysterious Man has also been doubled with Cinderella's Father in other productions, and even with that - it still stands.
And while we're on the subject of Narrators, the Narrator in The Rocky Horror Show is a fantastic role that requires virtually no singing as the character rhythmically talks their bits through "The Time Warp", "Superheroes", "Eddie's Teddy", etc.
Tzeitel and Chava in Fiddler on the Roof also sprung to mind. They're featured in "Matchmaker Matchmaker", and have ensemble singing duties, but can easily be cast with actors who sing. (I'd include Fyedka in this, but I wouldn't go as far to say it's a great part, plus some productions double him and the Russian Tenor as the same which would make the point moot.)
Frenchie in Grease most notably stands out as she's the only one in the principal cast who doesn't have a song either of her own, or to share. She does, however, get sung at during "Beauty School Dropout."
On the smaller role side, Mrs. Higgins in My Fair Lady is a great example, and the recent revival took full advantage of casting actor-y actors in the role, to great effect (as did the film, though even if she did sing - the film probably would have dubbed her anyway).
Parthy in Show Boat doesn't sing at all, if I'm remembering correctly. Maybe a little bit during the opening, right before Frank and Ellie do their dance on the wharf. Of course, Elaine Stritch was given "Why Do I Love You?" in the Hal Prince revival and performed the hell out of it, making a compelling argument that having Parthy sing it at the top of act two is as good a way to kick off the second half of that show as any.
In the original production of The Sound of Music, Max and Elsa sing in 2 different numbers (which I'd argue are essential to the b-story and opt to stay in). They are frequently cut from productions aiming to provide the audience a closer take to the film, which then leaves the characters open to casting non-singing actors in (unless you double them, as the actor playing Elsa could easily lend her voice to the nun chorus).
Do Wendy, Michael, and John sing anything other than "Tender Shepard" in Peter Pan...? Young Tommy also doesn't sing much in Tommy, but that's because - duh.
Horace in *Hello, Dolly!* comes to mind from pre-2017 incarnations; he only had "It Takes A Woman" then, plus a couple bars in the reprise of the title number in the final scene. The revival added back the cut "Penny In My Pocket" to open Act II, though, so I'm not sure it *still* qualifies.
poisonivy2 said: "Professor Higgins in MFL doesn't really sing. Does some sing-speaking but no actual singing."
Speak singing is the choice of the performer and team. They are still songs. If someone spoke their way through Anything Goes, it wouldn’t alter the fact it’s a song. The poster is asking about roles with limited songs not roles for limited singers.
Also, the music for Henry Higgins has been sung as written several times. Jonathan Pryce sings it in the London Revival Recording and there have been others - it is written with a melody.
henrikegerman said: "Franklin, Jefferson and several others in 1776"
I do find it interesting how Franklin and Jefferson never get a song of their own, even when minor roles like Lee, Martha Jefferson, and the Courier do. I guess you could say The Egg is their song, but they also share it with Adams, and it doesn’t offer either one of them all that much in terms of solos.
The grandmother in Pippin. She pretty much only sings her solo, and is out for the rest of the show (except for a few times where she' ontage, but doesn't even sing or talk at all). It got Andrea Martin a Tony.
The role of the buttler in La Cage aux Folles. Robin de Jesús and Michael Benjamin Washington stole the show in that tiny part and had the audience roaring with laughter, myself included, when I watched the productions of La Cage they were in. Robin even got a Tony nomination (granted, it was a very weak season). The role pretty much only sings chorus parts (except for a few lines in Cocktail Counterpoint).
Herr Schultz in Cabaret only has a few lines in Married and duets It Couldn't Please Me More, but gosh, that character can break your heart. None of those numbers are 'big', the strength of the role is in the book. It got Ron Rifkin the Tony. I never saw him, but I saw Danny Burstein and loved the character.
The drunk lady in Promises, Promises. She's only onstage for one song, which is a duet, but it can be exquisite. Katie Finneran stole the show in the (dull) 2010 production of Promises, Promises in the role. She also walked out of the show with her second Tony.
Maybe Anatole in The Great Comet. I'm not a fan of the show, so I don't really listen to the cast recording, but I remember Lucas Steele's character was what caught my attention in the show, and, if I recall correctly, he didn't have much to sing either, he only sang a few lines in the big numbers.