Kind of a weird question but I’ve ALWAYS wondered it. On behalf of the ensemble in musicals, when their show closes or posts its closing date, what do they…do? Do they literally face reality and collect unemployment or…do some of them get lucky and get performance jobs off the bat? It’s just disconcerting especially to any making their debut as to what’s next when their job just ends and they can’t do anything about it. ??
Principals, Ensemble, Dressers, stage management, props, ushers, sound, lightning, band, hair/makeup everyone involved goes unemployed until they start the long process of finding work again.
Ensemble are always auditioning. I know a few that are always auditioning for the next big show even while they’re already employed on a hit Broadway show. Everyone is hoping for their breakout role so the hustle is hard. It’s endless.
They get packed into these nice reinforced cardboard boxes and go to the licensing house that owns the rights to the show, so that people who produce that particular show can rent the ensemble as well.
"All our dreams can come true -- if we have the courage to pursue them." -- Walt Disney
We must have different Gods. My God said "do to others what you would have them do to you". Your God seems to have said "My Way or the Highway".
I was always in the ensemble, never a soloist. I was a waiter/usher/sold sheet music/extra on TV shows and movies/modeled/wardrobe[couldn't sew]dresser/unmentionable/ensemble again then repeated the process until no more.
The experience from all that then lead to another phase where I used all the previous experiences to be relatively successful in my next phase.
It's a tough and cruel life and only the strongest and most talented survive and it takes more courage to walk away before it's too late to find the other 'you'.
I'm a huge Groundhog Day fan. When the show was running, I followed a lot of the cast of their social media, and have kept up since. So just for fun (and a sample), here's what happened to the ensemble of one show post-closure a year and a half ago:
(Also, the below are just what I remember off the top of my head while avoiding work, I'm sure I'm missing a lot of projects)
Vishal Vaidya (Larry): Did Dave in DC, still involved in the workshops
John Sanders (Ned Ryerson): I think he's about to be in something, don't remember what
Rebecca Faulkenberry (Nancy Taylor): Has done various TV and movies, at one point was attached to some new musical.
Gerard Canonico (Fred): Currently in a principal role in Be More Chill
Katy Geraghty (Debbie): Did a regional production of Hairspray, currently starring in the Oregon Shakespeare Festival production of Hairspray.
Raymond J. Lee (Ralph): Did Soft Power out of town, has been involved in a bunch of readings and concerts
Andrew Call (Gus): Played King George in the Chicago cast of Hamilton for a while (not sure if he's still there?)
Rheaume Crenshaw (Doris): Currently in the Waitress tour as Nurse Norma
Josh Lamon (Buster): Currently in The Prom in a principal role
Sean Montgomery (The Sheriff): Did Jagged Little Pill out of town, in the ensemble of Beetlejuice
Travis Waldschmidt (Jeff): Was in the Hello Dolly ensemble/swing until it closed, currently a swing for Kiss Me Kate
Michael Fatica (The Chubby Man): Currently in The Cher Show ensemble
Tari Kelly (Piano Teacher): Currently playing the Dowager Countess in the Anastasia tour
Taylor Iman Jones (Lady Storm Chaser): Was a principal in Head Over Heels until it closed
Not sure what they're up to: Heather Ayers (Mrs. Lancaster), Jenna Rubaii (Joelle), Joseph Medeiros (The Deputy), William Parry (Jenson), the swings
All of this is to say that I don't envy musical theater performers their profession. As someone with a 9-5 office job, I don't think I could deal with the uncertainty. "What I Did For Love" and all that.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
All of this is to saythat I don't envy musical theater performers their profession. As someone with a 9-5 office job, I don't think I could deal with the uncertainty. "What I Did For Love" and all that."
This is also true of actors who are in non-musicals.
All of this is to saythat I don't envy musical theater performers their profession. As someone with a 9-5 office job, I don't think I could deal with the uncertainty. "What I Did For Love" and all that."
This is also true of actors who are in non-musicals.
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My mistake, obviously people who work in non-musical theater are in the same boat. As are artists/performers in general.