Magic/Bird- I don't get how this made it to Broadway. Also surprised I'm the first to mention it.
I guess I feel fortunate to not really hate anything else I've seen. Some were better than others, but I never wanted to leave any of them.
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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Seminar was unspeakably awful, but I also saw it during one of the darkest periods of my life so I might be projecting my negativity onto it a little.
Bloody Bloody Andrew Jackson was also a big disappointment. I enjoyed some of the songs when I listened to them and went into the show very excited, but I came away just thinking it was stupid.
broadwayfan, I totally forgot how bad the tour of PORGY AND BESS was. I didn't see the Broadway cast, but to have such un-operatic actors performing such a great score did NOT do it justice at all. Furthermore, eviscerating such a fantastic and long opera into a two and a half hour show is a true crime and George Gershwin would be rolling over in his grave to see such a production on a professional scale.
Anything regarding shows stated by this account is an attempt to convey opinion and not fact.
A Class Act Footloose Good Vibrations Mamma Mia! Sunday In The Park With George(revival) The Little Mermaid Follies(2011 revival)
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
John Pielmeier's Sleight of Hand was by far the worst B'way show I've ever seen. They just weren't ready for prime time. I have no idea how the thing wound up at the Cort Theatre. During intermission I turned to my friend and said: "Maybe act 2 will save it." Act 2 was even worse, sloppy and unrehearsed, like a bad run-through.
NEVER GONNA DANCE THOU SHALL NOT DANCE OF THE VAMPIRES A BROADWAY MUSICAL PLATINUM LITTLE WOMEN TRIUMPH OF LOVE BIG FOOTLOOSE XANADU LITTLE ME revival TARZAN
Broadway Saturday Night Fever A Behanding In Spokane
Off Broadway Dead Man's Cell Phone - Playwrights Horizon
Tours We will Rock You (the leads were amazing) Joseph & Amazing Technicolor Dreamcoat - still cannot believe they got away with not having it reviewed in LA West Side Story Footloose
Into the Light and Passion. Those were also the only two times I ever saw the audience start talking back to/heckling the actors during a performance.
"Oh, NO! Not that MIME again!"
[Fosca throws herself to her knees and clasps Giorgio in a death grip]: What can I do to prove how much I love you? Audience member: Let go of his legs.
[Doctor comes out and solemnly announces that Fosca has died. Audience laughs and applauds enthusiastically.]
Among other things those evenings. I felt so sorry for the actors.
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
Prymate, with the very talented André De Shields playing a gorilla. I was embarrassed for him and everyone else even remotely connected to this production.
Mr. and Mrs. Fitch. John Lithgow and Jennifer Ehle were mismatched and no amount of belting their lines and rolling their eyes could help.
Shame on playwright Douglas Carter Beene who told the audience at a talkback that he tossed some meaningless dialogue into the script based on saw something he saw on a trip to South America. Had nothing to do with the play, but what the hell.
SCANDALOUS was so bad it offended me. But JEKYLL & HYDE was the only show that was so bad I managed to enjoy the ridiculousness of it, which is a reaction I normally can't stand or really fathom. So, JEKYLL was all kinds of unbelievably awful to get me to that place.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
I forgot about Prymate, too. YUCK. I felt like a fool in that audience and couldn't believe what I was seeing (it was horrible). I felt bad for Mr. DeShields.