Jarethan said: "I don't know about Merman, but Lansbury, Daly and Peters all performed 8 shows a week."
The people who came before her are irrelevant to this conversation. Some People (hehe) are concerned that Audra did only 7 shows a week in LADY DAY, and after missing a number of PORGY & BESS performances reduced to 7. Now she's scheduled to do all 8 a week in GYPSY. (She has done 8 a week with other roles, for what it's worth.)
Broadway is not a free-for-all where principals can come and go from their shows! Everyone has a contract, and getting out of one Broadway show to do a different Broadway show is rarely ever part of a principal contract unless the "out" is negotiated for a specific show at the time of signing! Pigs fly occasionally, but for the love of god manage expectations!
SUFFS and NOTEBOOK run through Jan 5 and Dec 29 respectively. Kevin McCollum and Jill Furman are not going to lose a top player out of the goodness of their heart. Not to mention Joy would be balancing RAGTIME, whose rehearsal process would fall squarely in the middle of GYPSY's. (Sutton Foster was the difference between SWEENEY staying open vs closing after countless "no"s from bigger Lovett candidates, and her agents could dictate her schedule)
Nikki M. James would be a great Rose Alternate if they need to cross that bridge after the show opens.
Dying to know who the other possible lovetts were.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
The first rehearsal will be 9/30/24, unless they've inexplicably added three weeks of rehearsal since the casting notice went out in mid-June, or unless they're doing a one-off table read ahead of actual rehearsals beginning.
Surprised by the lack of rumors for this production. Seems like when this was announced it was, “Just wait ‘til you hear who else they have lined up!” to no casting news or rumors for weeks. Makes me wonder which way this announcement will end up going.
If it’s a radically reimagined revival, I could see them wanting more time to try things and see if it works. Yes the New Orleans and race aspect of it they’re adding in.
corninthesky said: "Surprised by the lack of rumors for this production. Seems like when this was announced it was, “Just wait ‘til you hear who else they have lined up!” to no casting news or rumors for weeks. Makes me wonder which way this announcement will end up going."
Well, seeing as all the rumors were wildly wrong..........
Broadway Flash said: "If it’s a radically reimagined revival, I could see them wanting more time to try things and see if it works. Yes the New Orleans and race aspect of it they’re adding in."
The 7.5 weeks of rehearsal & tech that they already have prior to previews is quite luxurious for a musical revival. It is virtually unheard of for a Broadway musical in contemporary times to have 10+ weeks of rehearsal. You'll run out of things to do in the studio, and you can't be in tech forever because the costs are astronomical. This isn't the era of Jerome Robbins and Gower Champion and criminally low salaries.
Spend that money on the production's Po Boy budget.
it sounds like they are workshopping the show before real rehearsals begin. I mean it makes sense, they’re opening cold on Broadway. Most revivals have a previous life before coming in, these days either from City Center or London or a regional theatre production. I heard first table read September 9 with dance rehearsals starting the following week
I don’t want Joy Woods in Ragtime or Gypsy because she’s a complete bore on stage. Saw her as the understudy for Audrey in Little shop. I felt nothing. And then for The Notebook. Also nothing.
I thought the concept was to have Louise be dark-skinned and June mixed race and light skinned? Joy Woods would seem to be more of a June in this case...