rosscoe(au) said: "How is a preview ticket $421 plus fees. That’s just insane."
That’s not the only price point.
If the seats do not sell at that price, they will lower them.
I bet there’s also some thinking of “if you want to be one of the first to see Audra Gypsy, you’re gonna pay” knowing that there will be an initial burst of interest that will probably taper off (pending reviews).
Also, Barbara Cook left Carrie because she almost got killed by a moving staircase set piece.
That indeed was the straw that broke the camel’s back but Linzi has said Barbara Cook wasn’t comfortable in the role during the Stratford run. She wanted to get out of the show.
The Broadway sound board bootleg I acquired many years ago also included a rehearsal track that I have to assume was Barbara Cook and Linzi Hately learning “I Remember How Those Boys Could Dance.” It’s unlabled, but definitely Linzi and definitely not Betty Buckley, hence my assumption that it’s Barbara Cook. At one point the woman learning the Margaret part whispers into the tape “I’ll never sing this ****.”
Cutting at straws, but it actually wasn't the staircase unit that almsot hit Barbara Cook, it was the unit for Carrie's house. It had a mechanised roof that went up over and back (sort of like a garage door) to create the back wall of the house. The actors moved into place as that piece of mechineray moved into place, and it nearly hit Cook one night (perhaps because Cook wasn't moving fast enough to get into place).
“I knew who I was this morning, but I've changed a few times since then.”
Not to keep this thread off-topic, but just adding I highly recommend the podcast Out for Blood for anyone interested in the OG production of Carrie. Very entertaining and interesting.
It looks like the first 3 performances are already completely sold out?!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
CoffeeBreak said: "Audra GYPSY needs a new or updated TV ad ASAP. It looks amateur and isn't very good."
100% walked by the Majestic today and the display photos also look amateurish . They need to market better all around for a 1st class revival starring Audra as it's lacking when you walk by. Previews start in just over a week!
On their site they are saying: GYPSY is bigger than Broadway—it’s a once-in-a-generation theatrical event in this revelatory new production helmed by visionary director 6-time Tony Award winner George C. Wolfe his GYPSY, unlike any seen before!
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
Does it look a little guys and dolls? Danny’s Nathan to Audra’s Adelaide…
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Those photos are, naturally, a placeholder until real production/in-costume/hair/makeup photos are available and they can rebrand after opening.
It’s also an attempt to appeal to appeal to casual buyers who don’t know or care about what Gypsy is. Which is at odds with branding it AUDRA GYPSY but there have been multiple weird producing decisions for this revival.
Remember, it’s nobody’s job to ever care about the niche demo of diehard, opinionated musical theatre fans.
Oh please, my comment isn't intended to be racist. The costuming and postures make it look like an advertisement for a 1940s jazz revue. Is that better? It doesn't signal any of what makes GYPSY a unique or interesting theatrical property.
“I knew who I was this morning, but I've changed a few times since then.”
It does make it look like feel good musical comedy to me (hence Guys/Dolls). But GYPSY has been a massive flop for the last two revivals so I don’t blame them for trying something that appeals.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
In what feels like just a few days now we've had accusations of racism in this thread, the Hell's Kitchen sound thread, the Sunset boulevard thread all for seemingly innocent at best or mildly clumsy at worst use of language. I really hope this thread does not descend into chaos when Gypsy starts performances. We've got one of the greatest stars of all time in one of the greatest musicals of all time, with one of the greatest directors of all time. An amazing cast of leads and what will hopefully be a radically new interpretation of the material through a different lens we have never seen before.
I am 100% going into this show next Thursday with the intention to love it and it will likely be impossible for me not to because I love the material so much and it's a dream come true.
Is it too much to ask that we hold back the use of the r word unless we think it's really needed and justified?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000