CAROLINE, OR CHANGE Previews — Page 2

Alexander Lamar said: "Does Roundabout typically have merch?"

In my experience, yes. I try to get a magnet for every show I see, and of the many Roundabout musicals I've seen, the only one that didn't sell magnets (and other stuff) was The People in the Picture.

They had awesome merch for Kiss Me Kate!

Enjoy the show for everyone going tonight and please peep the merch stand if you can!

TotallyEffed said: "What are the chances this will turn up on TDF?"

Most Roundabout musicals do show up on TDF at some point. This does not have any stars in the cast and is very much a "cult" musical. Spot-checking some dates online, there's a ton of inventory in the mezz and side orch at most performances.

Enjoy, all!

Hope everyone is enjoying!!! Anyone get rush seats today? Going to try to get them tomorrow and am praying they’re not in that dreaded rear mezzanine!!!

This is why I never go to the 1st show. Why would anyone knowing pay to watch a rehersal. Hopefully 2 weeks will be enough time to improve b4 I go.

In case anyone wants a blanket description of broadway currently-the elders still have no idea how to silence their phones.

pair-o-dice said: "I loved the original production and saw it a few times. This is a different take but certainly on track to be just as thrilling, powerful and beautiful. I went in wanting to judge and compare, but ultimately it just made me love the show even more. The last twenty minutes are truly brilliant with every line and "moment" hitting you like a ton of bricks. Some beautiful and poignant staging in the last moments as well.

I'd say the early standouts are Sharon (obviously), the Bus, and Dottie. But everyone is stellar. The kid playing Noah was perfection. The Radio is sensational. The moon is fabulous. Everyone is great. Sharon is a bit more sad, where Tonya was mad (if I had to try to explain it) and both takes work. The direction is a bit more "showy" but just as powerful and at times more clear than the original. I miss some of the more "simple" moments and felt a few of the actors were showing me as opposed to genuinely connecting, but give them a few shows under their belt. They all have so much potential. And it's hard to compare a first preview to the original which I saw towards the end of their run.

I loved, in this production, the interaction between the inanimate objects and the people. For example, In Act Two when Rose and Caroline have their confrontation the Radio and Washing Machine are pleading with Rose for Caroline to keep her job. And, I feel like when they reference the moon she genuinely interacts and connects with them more than in the original. Its a nice touch and I think made the abstract-ness of them more "real" and powerful.

The set it fine - the original wasn't the most incredible set I'd ever seen either - I think this was just as serviceable as the original. And there are some simple/cool "spectacular" moments that I don't want to ruin.

As a fan of the original, who was nervous this wouldn't live up,this production did not disappoint. Plus, it is (sadly) even more relevant today it feels.

I'm excited to return in a few weeks to see how its grown!

"

This is exactly me and how I felt in a nutshell, though I only saw the original once. Can’t wait to go back and see this again in a few weeks

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Just getting home. I stepped into Studio 54 with the highest of expectations and was not let down at all. The entire cast is phenomenal. Salty Teardrops took my breath away (vocally of course, but I mean visually). Already purchased a ticket for tomorrow.

One thing I thought was interesting - the confederate statue that sits on the stage for the pre-set was turned around (facing aaay from us) right before Chuck Schumer came up front to speak, then was turned back around after he finished for the show to start, then about 45 seconds later when the lights went down it was removed altogether (as I’m sure they will do at every performance). It made me wonder what was happening there - did he request to have it turned around while he spoke?

Updated On: 10/9/21 at 01:33 AM

I really loved it. have been a huge fan of the show/album since I was a kid, so finally seeing it live was magical. Of course it will probably get tighter in the next few weeks, but it was a beautiful night at the theatre, and the energy in the room was absolutely insane. There was a well deserved standing o after “lot’s wife.” Since I know the album so well, there were a few “option down” moments vocally that made the nerd in me sad, but most people would have no clue lol. I really enjoyed the staging for the most part, and thought that the turntable worked well in the “magical realism” vibe of the piece. A lot of small details/ symbolism moments that I enjoyed (little things like the moon crossing and exiting on the opposite side of the stage for the first time in the final sequence, probably representing the forward motion of Caroline’s arc ahhhh 😭) can’t wait to check it out again soon!!

Having seen the glorious original Broadway production, nothing about this revival gets my interest. Just the costumes for The Radio are cheap and horrific - like a community theatre DREAMGIRLS production. Hearing the sets also look cheap just killed any possible interest even further. I love great performances but the canvas needs to be equally glorious. One can’t excuse the other.

This is The Radio from the original 2004 Broadway production:

Brody Fosse Some of the greatest nights I have had in my 45 years of theatre going have been at shows that didn’t have enormous sets or budgets. You must miss out on so much.

Updated On: 10/9/21 at 01:12 PM

I had similar reservations about the physical production based on the London photos. The physical production, on the whole, is more whimsical than the original. I didn't find the costumes for the Radio to be "cheap" - just a little more whimsical, fun and fantastical. By contrast, the moon's costumes were STUNNING and far more glamorous and sophisticated than the original. Theres more humor in the costuming and their characterizations than the original. It's just a different take on how to present these inanimate objects. Whether you find them cheap looking or not, I don't know, but within the context of THIS production they worked for me.

Don't judge a dish by one spice alone. When you mix all the elements together it works.

The original was 2003, not 2004.