I'll happily be proved wrong by the eventual sales, but the finances of LEOPOLDSTADT and Yiddish FIDDLER are two prime reasons why I don't see this succeeding: starts strong, but when the Manilow diehards & traditional theatergoers dry up after ~4 months, it struggles badly. The commercial production of Yiddish Fiddler didn't make money and lasted less than a year...and then the New World Stages return engagement sold abysmally.
Maybe not numbers as bad as KIMBERLY or PICTURES FROM HOME, but it would need love-letter reviews, a significant & sustained Manilow press tour, and a savvy ad campaign (a skill that Ken Davenport hasn't yet demonstrated) to overcome the odds.
Or to compare to another Davenport show: I don't see it doing as well as Neil Diamond, sales-wise.
Updated On: 4/24/23 at 10:26 PM