Stage Door Sally said: "Regarding seats, for me, it's a question of quality over quantity. At 60, I am past the point where I can happily enjoy a show I can't see well. I was okay with it when I was younger, but not now.
I paid for premium seats for a group to see Hello, Dolly! and that was soexpensiveI said never again would I pay such outrageous prices! Then Network came along... and I splurged for onstage seats during previews and I said, really, this time I mean it, never again! Now Moulin Rouge is here... and here we go.... in the Diamond Circle.
I've hadto face the fact I am willing to pay more forgood seatsfor a show I really want to see. For me, that means less shows. I still haven't seen Hamilton, and Hadestown isn't on my list, both shows I would really like to see.
A double-edged sword and a sacrifice."
i know what you mean At 55, I now want to be close to the action if I can be. However, on my upcoming September 27 -October 4 trip (for which my gal pal is joining me for the first three shows), we’re sitting in the mezzanine for Hadestown, TKAM, and Moulin Rouge because center orchestra was a lot, LOT more and we thought we would have better views from the mezzanine at each show compared to comparatively priced side orchestra or rear orchestra seats
i sometimes have to remind myself that once I’m in my seat and the show begins, I generally have a great time regardless of my seat location.
On the other hand, I’ve spent a small fortune to see Madonna twice on that same trip (including once from the front row), but that’s because of my 4-decade relationship to her and her music (including seeing her 6 times previously) and an occasional lack of impulse control. However, I’d never, ever shame someone for buying a nosebleed seat to see her.
Now, really...I’ll shut up...back to reports on the actual show!
Updated On: 7/2/19 at 11:14 AM