Yerma - The Father - The Humans - Amy & the Orphans - Angels in America - Streetcar Named Desire (St Anns) - The Crucible/A View from the Bridge (Ivo) - Who's Afraid of Virginia Woolf (Imelda)
"Promises, Promises," London, 1969. It holds a special place in my affections because it was the musical that introduced me to the incomparable Betty Buckley. In 2019, when I see Betty's "Dolly" (which, I am confident, will be my favorite interpretation), half a century will have passed. Much has happened in those 50 years, but my appreciation for the talent that is Miss Buckley has never wavered. Thank You !!, Betty Buckley.
Brutal to choose... it could be the closing night of [title of show], which was an absolute celebration... or Sara Bareilles' (first) final performance of Waitress, because her musicality floors me... or the Deaf West Spring Awakening which was gorgeous and so meaningful... or this recent Angels in America, which proved to me how much I can love a play... or my first Broadway show ever which was Les Mis when I was 8 and totally hooked me...
But I will go with this current Once On This Island. I have worshipped (and analyzed to death) that score since I saw the original when I was 11, and had it on such a pedestal in my mind. Walking into this production, which I first saw on the last night of previews, I was trying to not get my hopes up because I didn't think there was any chance it could live up to what I had in my head. And it was everything I didn't even know I wanted. I was flat-out weeping by the end, which is embarrassing in the first row of that theatre, haha. I just love what they did with what was already such a beautiful show.
Mister Matt said: "Musical: The original Broadway production of Les Miserables (before all the cuts)
Play: The 1994 revival of An Inspector Calls (which is coming to Chicago in 2019!)"
It funny in one post you have my favorite production I have ever seen on Broadway (or anywhere) the Original Les Mierables...perfection, simple beautiful, emotional perfection.
AND
My least favorite production I have ever seen on Broadway..The Inspector Calls..Really just dreadful beyond the pale. (I've I have seen some doozy's like "What's Wrong With This Picture"
"He wants to know who cares. I care you stupid fool we all care..." John Wilkes Booth (Assassins)
The current Once On This Island revival. I don't see shows more than once- I rarely get to the city so I try to see as many different shows as possible while I'm there- but as I left the theater I bought tickets to see it again 2 days later. And i'd see it again if I could. The only other show I was willing to see again was Miss Saigon.
The South Pacific revival. I saw it once a week after it opened from a front row center orchestra seat. It was such a perfect moment in time that I felt a repeated viewing would spoil the memory.
Great Comet, Hamilton (orig cast), Boys in the Band, Come From Away, Angels/America
Saw all multiple times. Listed in order of what I saw the most to the least. Angels only because of my time constraints or I would've seen it more.
Many didn't care for Comet, but I sat on the stage for nearly all the times I went and it had such a different, interactive perspective that made it great fun to be there, despite its faults with audio and the fiasco re: actors. Heard it was heading to London with its NYC staging. I'd do it.
OBC of Les Miz; Hamilton; recent revival of The Color Purple with Cynthia Erivo; and CATS....yes, CATS...sorry, not sorry. It was my first experience and hooked me. Without it, I may not have this wonderful thing called theater in my life.
But the best show I have ever seen, was a very small production of Bent in L.A. circa 1986ish.
the Best Musical i have ever seen was the OBC of A LITTLE NIGHT MUSIC...from the first note to the last i have always stated this is the most complete Sondheim score, and the most perfect of stage productions...
my Best Play selections are more limited but the OBC of NOISES OFF had me literally rolling on the theatre floor with laughter...
Pacific Overtures at the Kennedy Center during their Sondheim celebration. I don't really know what possessed me to see it, but something made me travel hundreds of miles to see it. I'd always really loved the music and I couldn't resist seeing it in Japanese. I've never felt so elevated in the theater in my life. I also never realized how damned GOOD the book of Pacific Overtures is.