I will also stick to popular shows. Couldn't keep it to 5. Went for 10. Listed in order, so the first five are my least favorite / most intensely disliked.
-- CATS...2:20 of total boredom, with both acts ending with goosebumps. One great song. Sung twice.
-- Fosse. This was THE MOST PRETENTIOUS show I have ever seen. The connections between actual Fosse numbers were agony for me to sit through.
-- Oklahoma. I have never seen a production that I did not hate by Act 2. As soon as Ado Annie, Will Parker and Ali Hakim take center stage, it is painful to sit through.
-- Grease...all the good songs were written for the movie. I did like the movie and the live TV show, hated the original production. Totally. But not as much as CATS.
-- City of Angels. I had a smile on my face for 15 minutes. Then I realized that the inventive conceit was going to be repeated for the rest of the show. OMG.
-- The Best Little Whorehouse...Tommy Tune's staging was incredibly inventive, but a musical is about the score IMO. I didn't think there was a good song in it. 'That song' was written for the movie. I guess I must have been prudish back then...cause I thought it was crude.
-- Two Gentlemen From Verona. The fact that this beat Follies for Best Musical doesn't help. I just thought the score was awful; what seemed like fun initially wore me down after 20 or so minutes.
-- Once. The only good thing about this was Steve Kazoo's voice. I guess I don't like 'mood pieces'.
-- Fun Home. I get in trouble for this one, but I was depressed for days after seeing this show; and I wasn't entertained enough to justify the depression. Would have liked it more if my expectations had not been set so high. Circle in the Square is a terrible theatre for a musical. I didn't see The Rocky Horror Show, but every other musical I ever saw there -- with one exception, Sweeney Todd -- was defeated by that layout.
-- On the Twentieth Century. Did not see the revival, since I hated the original so much. The original had A brilliant Kevin Kline and a perfect John Callum in Tony honored performances, and one of the great production designs ever. I still hated it. Two reasons: the pastiche score; and Madelyn Kahn, who I loved in everything else, was just terrible. The show was barely open and she was already telephoning in her performance. (Plus I always found her singing voice horrible, with all that vibrato).
Updated On: 11/25/17 at 07:52 PM