Sutton Ross said: "ignorafosca2 said: "Carolee Carmelo should get some kind of humanitarian award for the aid she delivers to this production."
Best. Comment. Ever."
Honestly, this is a remarkably hilarious and on-point comment because it’s so true. Carolee, the Hunks, and Grace McClean are truly the saving graces, performance-wise, in this overly campy, but otherwise banal show.
Nobody really asked for yet another modern revisionist retelling of the Cinderella story, and so the creative team had a responsibility to really make a strong case for its existence - and they did not succeed. The biggest issue is the sheer length of the show - 2:35 last night. We all know the Cinderella story and so you could see what has been added and feels ultimately like padding that prevents the show from reaching the inevitable conclusion.
The leads, I’m sorry to say, didn’t meet the moment. They both are overpowered by the orchestra for a good part of the show and it’s hard to make out what they are singing when you can hear them. On top of that, their characters are so poorly written that I never felt like I had protagonists worth rooting for.
Honestly, only the moments where the show leaned HARD into the high camp of it all - so basically anything Carolee or Grace did, as well as all of the Hunks - made the evening worthwhile.
Side Note: My God, that male ensemble is UNREAL. Their physiques combined with the homoerotic and aggressively horny choreography set off a wave of hot flashes that could keep 45th Street warm on a cold winter’s night. If the show was just Carolee camping it up while Ray Baynard and Cameron Loyal were just her shirtless backup dancers, I would paying premium time and again
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