"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
Based only on the night I saw Kahn, Judy Kaye over Madeleine Kahn.
I loved Madeleine Kahn and many here saw her on nights when she was brilliant. And that's theater, folks! But Judy Kaye taught me something very important about musical comedy, in particular: it's not enough to have the skills, you also have to act like you want to be up there. OTTC was always a great party with Judy Kaye!
Do original vs. revival productions count? If so, I thought Jon Jon Briones, Eva Noblezada, and Alistair Brammer were better than Jonathan Pryce, Lea Salonga, and Simon Bowman in Miss Saigon.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene" - Craig Hepworth, What's On Stage
I agree about Bareilles. I thought she was better than Mueller by leaps and bounds (I should note that I do NOT love Mueller and think she absolutely CAN do wrong). Bareilles naturally was everything Mueller was visibly trying hard to be.
And I agree about Heather Headley in The Color Purple. I didn't even realize what that the role had that much potential for depth and dimension until she did it.
I would also add Kevin Kern in Finding Neverland. Much better than Matthew Morrison. He technically wasn't a replacement, but it sounds like he might as well have been based on how often Alfie Boe called out.
I didn't see Michelle Williams in Cabaret, but I LOVED Emma Stone in the role, and the consensus seems to be that Williams was awful (which doesn't surprise me, given that I didn't enjoy her over-the-top performance in Blackbird, or even really Manchester By The Sea for that matter). Stone's singing was only passable, but her acting was electric.
I thought Rob McClure was a better fit for Nick Bottom in Something Rotten than Brian d'Arcy James.
I'm also not a bit fan of Idina Menzel, so though I've only seen bootlegs of her as Elphaba, I definitely think she's ben surpassed by tons of her replacements.
I liked Michael C Hall and, obviously, John Cameron Mitchell in the Hedwig revival substantially more than Neil Patrick Harris. But, again, I acknowledge it's not fair to pin NPH's Hedwig against JCM's Hedwig.
I thought Nick Jonas was excellent in How to Succeed. He was far better than Daniel Radcliffe, who, in my opinion, should solely stick to plays. Nick Jonas really surprised me with his acting, his singing was incredible, and his dancing was very energetic.
I also think, with the exception of John Lloyd Young, that the 2015 cast of Jersey Boys was far better. Richard H. Blake, Quinn Van Antwerp, and Matt Bogart were the best 'Seasons' in my opinion. They were lively and their movements were more crisp and uniformed than the OBC's. Though John Lloyd Young was the best Frankie Valli in my opinion, Mauricio Perez did a stellar job when he understudied and alternated.
Going back too many years for me to have actually seen for myself, Michelle Lee was almost assuredly a better Rosemary than Bonnie Scott in the original production of How To Succeed In Business Without Really Trying. Michelle is that rare replacement who went on to play the role in the film version, albeit with most of her songs cut.
I second Jonathan Pryce in Dirty Rotten Scoundrels and add David Dukes in M. Butterfly -- this despite the fact that I truly like John Lithgow.