Posted: 11/15/24 at 9:17am
This, like Bad Cinderella,should never have come in. It was mediocre at the Almeida (Vincentelli's Times review is very close to my feelings--and I was lucky enough to see Rannells!) If we remember, Bad Cinderella (then just Cinderella) was also warmly greeted by the London critics. Why do critics in Britain seem to go so easy on new musicals anymore? When I was there I walked out of Kathy and Stella Solve a Murder and disliked Fangirls. But they got the same star ratings as the so obviously superior Two Strangers Carry a Cake. Musicals are somewhat looked down on in Britain so I guess there is a condescension that ANYONE can write one and if it's campy enough it's good? Now, there are some mostly organic,non-star-writer shows coming to the West End that, from what I've seen and heard, are actually very good (Benjamin Button, Clueless, even the reading I saw of 13 Going on 30 looked promising). Some,based on popular IP may even transfer (the best is still Operation Mincemeat which is already on it's way, and, I guarantee, will be a hit). But dear producers, please THINK before the possible good reviews for Devil Wears Prada induce you to scope out a Broadway theatre.