Theatrely:
TAMMY FAYE Not Ready For This Close-Up — Review
https://www.theatrely.com/post/tammy-faye-not-ready-for-this-close-up-review
"Unsure of the tone it must strike, some of Goold’s staging would be considered inadvisable by even the least theatrical church mouse, such as opening with a dramatic costume reveal from hospital gown to … muted church dress, or capping a rousing ensemble number not with fixed jazz hands, but with the Bakkers welcoming Ronald Reagan onto the stage. Never has applause been so spectacularly curtailed. Such a move might work were this a show rigorous in its upending of audience enjoyment. Alas, the preceding song here is “He’s Inside Me,” a painfully unfunny string of double entendres (“He’ll cover you with all the joy he releases”) whose low blows won’t offend a single Christian, except for those with good taste.
And that points to the book’s greatest flaw: we need to believe that Tammy Faye believes, or that at least her belief is worthy of respect, even the institutions around it are reprehensible. Brayben certainly respects it; her big powerhouse numbers, sadly few and far between, are electrifying, especially the act-one closer, “Empty Hands,” which she sells with the magnetic ferocity missing from most of the show. (The underused Cerveris, in a “Hellfire”-like number questioning Falwell’s crooked path to righteousness, briefly becomes its most fascinating figure.) But while the musical finds in her an icon of kitsch and courage, it refuses to take her faith seriously, undermining any possible good that come out of her beliefs by either undercutting it with the other televangelists’ devious politicking or plainly mocking religion with the twerpy glee of a Bill Maher."