Well, there is an awful lot to unpack in this situation. But as far as the general casting discussion, the idea being floated around that everything should just be "equal" and "fair" and then everything will be wonderfully diverse is quite naive, IMO. Without purposeful color-conscious casting, progress just wouldn't happen, or at least not nearly as quickly. We live in a society influenced by centuries of racial inequality. Racial stereotypes, generalizations, and microagressions are regularly perpetuated in the media, and in every day interaction, often unconsciously and often unintentionally. It is ingrained in our society. And just as it took action to end or make progress on major equality struggles throughout the 20th century to today, from segregation and miscegenation, to women's suffrage and marriage equality, it will take color conscious casting to continue to enact change in this industry. Only once audiences are forced to recognize that stories featuring a true variety of the human experience are well worth their time and money and that the theater can be a wonderful place to broaden their horizons WHILE having a great time and consumer spending starts to confirm that recognition will we be in a place of equality. So no, POC are not entitled to anything. But the fight to create, affirm, and preserve opportunities for them is worthwhile and important in a society that is trying to make sense of ingrained privilege and oppression.
And its unfortunate that this production and the complexities of this situation got involved in this larger discussion in such a messy and problematic way.
"...and in a bed."