OFFICIAL: INTO THE WOODS Broadway Revival to Open at the St. James Theatre, Performances Begin June 28, 2022 — Page 5

Has anyone had to use/had any luck with the "sell" feature on SeatGeek? I acted too quickly and purchased tickets for a date that doesn't actually work. Even though the site says you can sell your tickets, I'm not seeing a "sell" button when I pull up these tickets in my account. Maybe the option will show up later? Anyway, if anyone happens to be looking for 2 tickets on Thurs Aug 4 @ 7pm (row L, seats 114-115 - center orchestra on the Aisle) let me know. Just trying to make back what I spent ($376.10 total with fees).

Alex M said: "IdinaBellFoster said: "Tickets secured!! I’m so happy they’re doing this. But I have to say, SeatGeek is absolute garbage."

I agree. Ive been trying to talk to support for an hour about exchanging a ticket and its like rocket science."

I had to move my Funny Girl seats to another date - several emails - never could talk to a Live agent - it was painful. Telecharge is the best to work with.

dramamama611 said: "I had no idea it was opening night when I grabbed our tix! I didn't have a lot of time to think! I wonder why it was so easy to get tix for it right from the get go!"

Yes - usually Opening Night tickets don't drop until a few weeks before the date. I got My Fair Lady and Escape to Margaritaville that way. I saw the 6:30 time and checked the article and it said opening night was 7/10. I got a rear Orchestra seat.

MadsonMelo said: "I love that this is the third time in the last decade that Benton and Soo shared a role in professional productions. “Comet”, “Hamilton”, and now “Into the Woods”"

Benton also replaced Soo in the MasterVoices OF THEE I SING concert at Carnegie Hall!

I screwed up with dates and now have tickets I can't use. Am I able to sell these on Seat Geek? Although there is the ability to sell tickets, I couldn't find a way to list. Anyone have experience here?

ElephantLoveMedley said: "jagman1062 said: "I tried to get my ticket for July 31 and a pop-up said that Creel wasn't going to be in the show for that performance."

It looks like Gavin Creel will not be performing from Sunday, July 24 through Friday, August 5."

I believe this is the week his original piece Walk On Through is being presented at the Eugene O'Neil Centre in Connecticut.

I wonder if there's any chance Josh Henry would understudy the Wolf/Cindy Prince track and play it when Gavin is out? Chuck Wagner and Christopher Sieber both understudied that when playing the Other Prince. But Gavin's take on the Wolf/Prince is rather different from this track in the past.

kade.ivy said: "smokeline2 said: "kade.ivy said: "I had to purchase on mobile and got N16 Orchestra. I’m assuming that’s an aisle seat, though the seating charts I can find suggest only 15 seats in that row. There was no indication that it’s an accessible location. Any insights on that?"

N16 is directly in the middle of the row. The seats are even numbers only in right orchestra (and odd only in left orchestra). The 15 seats in the row range from seat 2 to seat 30."

Thanks for replying! I’m afraid I mistyped. My ticket is N116, and center orchestra is specified."

I was able to get on my laptop and saw on SeatGeek that there are 16 seats in row N. Seems to be unique. So excited for this production!

ColorTheHours048 said: "ElephantLoveMedley said: "jagman1062 said: "I tried to get my ticket for July 31 and a pop-up said that Creel wasn't going to be in the show for that performance."

It looks like Gavin Creel will not be performing from Sunday, July 24 through Friday, August 5."

Jason Forbach will likely be on as Cinderella’s Prince for those performances. He was the understudy for both Princes at Encores and was fabulous as Rapunzel’s Prince the first week. Since he’s transferring as well, it would make sense he’ll remain the cover."

I had the same thought.

I don’t believe Chicago, Wonderful Town, Gypsy, or Finian’s Rainbow were planned as limited engagements (I might be missing other transfers). Only Sunday in the Park with George and this, as far as I know, have been strictly limited. And that’s only because of the leads in the cast.

If this extends, I can’t imagine it would be more than one week. The Piano Lesson is slated to begin previews on September 19th, meaning they have less than a month to load out, load in, and tech as is. Crazier things have happened, but I’d plan on this only running the 8 weeks currently slated.

ColorTheHours048 said: "I don’t believe Chicago, Wonderful Town, Gypsy, or Finian’s Rainbow were planned as limited engagements (I might be missing other transfers). Only Sunday in the Park with George and this, as far as I know, have been strictly limited. And that’s only because of the leads in the cast.

If this extends, I can’t imagine it would be more than one week. The Piano Lesson is slated to begin previews on September 19th, meaning they have less than a month to load out, load in, and tech as is. Crazier things have happened, but I’d plan on this only running the 8 weeks currently slated."

Interestingly enough, to my knowledge, CHICAGO was the only one of those listed shows planned as a limited engagement. They had the Richard Rodgers for a set amount of time (Steel Pier was coming in). When it was a hit, they then had the Shubert lined up to transfer to. At that point, Nederlander wanted to keep the show in the Rodgers, but the Shuberts were insistent on taking the show as they already had it contracted for its flagship venue. The show then played the Shubert for some time before moving to its current home at the Ambassador. (I'm pretty sure that's what happened, but anyone please feel free to correct me if anything in there is wrong).

Interestingly enough, to my knowledge, CHICAGO was the only one of those listed shows planned as a limited engagement. They had the Richard Rodgers for a set amount of time (Steel Pier was coming in). When it was a hit, they then had the Shubert lined up to transfer to. At that point, Nederlander wanted to keep the show in the Rodgers, but the Shuberts were insistent on taking the show as they already had it contracted for its flagship venue. The show then played the Shubert for some time before moving to its current home at the Ambassador. (I'm pretty sure that's what happened, but anyone please feel free to correct me if anything in there is wrong).

"

That's correct regarding CHICAGO. At the time they announced a Broadway transfer, there were no available theaters heading into the Winter/Spring. They booked the Rodgers with just a 3 month run announced. They extended as far as possible at the Rodgers and eventually were able to snag the Shubert since BIG ended up as a flop.