Forgive my scramble of a post, it was typed from my phone.
I've considered writing Sondheim many times, but I never felt I had anything worth saying. I didn't want to ask for advice as an aspiring theatre maker because he and others have already provided so much guidance that most of my questions have already been answered at this point in time. I didn't want to write him a praise letter because he'd surely already heard anything and everything I could've said but put better. Finally, I had no interesting questions about his work, so I wouldn't write a letter for that either. I never did send a letter, and I'm so glad to say that I don't regret it. He knows how much he was loved, and that's enough. I may have never met him, but his dedication to new artists provides a connection.
I would like to share how comforted I am by how many people seem to have gone through a similar experience when hearing the news. There's no words to describe what he and his work meant to me, and just like most other people, I don't know what to say. When I heard the news, I felt sick and confused. I wanted the world to stop for a moment so I could process what I had just heard. How is Stephen Sondheim gone? He's always been there. I'm a little better now, but it was too much to process. After almost two years of loss, isolation, and termoile, it was just too much.
With his passing, I hope people will still remember that he always insisted people he'd met or wrote call him Steve; and that even as an old man, saw himself as an 18 year old boy excited to work in the theatre. I hate to think that it might be forgotten what a delightful and wickedly funny man he was. He gave us so much profound and moving work, but he also gave us some of the funniest lyrics ever written. "So please, don't fart/There's very little air and this is art". It will be a sad day when he is known only as Stephen.
I can't help but feel Sondheim would not agree with Lin-Manuel's description of his work because he was always one to point out that it was his collaborators who wrote these characters: Arthur Laurents wrote Tony & Maria, Hugh Wheeler wrote Sweeney Todd, George Furth wrote Bobby, James Lapine wrote George, Dot & Fosca. Sondheim is clear that his collaborators gave the canvas that allowed him to write the most incredible music for these characters. He was always so humble and keen to acknowledge the work of his collaborators, which is part of why he seemed like such a nice person!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Fathom Events will be screening the 1961 film of West Side Story around the country tomorrow and Wednesday. For those of us outside of the New York area, how great to have this opportunity to celebrate the man's work.
Variety interviewed Christine Baranski on her relationship with Sondheim. It’s always a treat to hear Christine speak at length because she also has such beautiful word choice.
Christine shared that “He had a great Thanksgiving meal [with friends who included veteran stage director Jack O’Brien], and the next morning he checked out of the hotel.”
She spoke to Audra McDonald. Together they “realized that [they’re] not sad for Steve. He was 91. We should be happy he didn’t suffer, he didn’t decline or wind up in a hospital with a long-term illness.”
Today at Freestyle Love Supreme, they mentioned in the beginning about how the Booth was the home of “Sunday”, referenced Bernadette Peters as Dot, and held a moment of silence for Sondheim. It was very touching.
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JSquared2 said: "Major event tomorrow. Times Square. Noon.
"
Does anyone have tangible confirmation, beyond the message boards, on this? Trying to plan out my day, but don't want to go into midtown on the holiday weekend, if nothing is actually happening.
I contrast the overwhelming reaction to the death of Stephen Sondheim with the death of Richard Rodgers, who inconveniently died on the night before New Year's Eve, 1979. I'm not discussing the reaction of the theater community, but of the national media in general. The announcement of Rodgers's death was greeted with the same fervor as had the death of Soupy Sales.
Particularly annoying was the column of Pulitzer Prize winning columnist Ellen Goodman, who wrote for the Boston Globe. She showed a mastery of the art of damning by faint praise.
He could and would write a song to fit a scene. if Woody Allen is right in saying that 'Eighty percent of life is showing up, well, Richard Rodgers showed up."
"Some Enchanted Evening" will never go into the annals of great classics. The King and I is not Aida. But Rodgers was very useful to provide a hard-working man in the blouse business with a method of expressing himself. If he likes a tune, he can whistle it and it will make his life happier."
As a child of the Rodgers' era, I can never quite understand the deep mentor relationship that Sondheim had with Oscar Hammerstein. Did Sondheim ever venture over into the world of Hammerstein's sentiment? Here is a description of the last meeting of the two:
[Sondheim] remembered that shortly before Hammerstein's death, Hammerstein had given him a portrait of himself. Sondheim asked him to inscribe it, and said later about the request that it was "weird ... it's like asking your father to inscribe something". Reading the inscription ("For Stevie, My Friend and Teacher" choked up the composer, who said: "That describes Oscar better than anything I could say."
When he walked away from the house that evening, Sondheim remembered a sad, sinking feeling that they had said their final goodbye. He never saw his mentor again; three days later, Hammerstein died of stomach cancer and Hammerstein's protégé eulogized him at his funeral.
Jakeevan942 said: "JSquared2 said: "Major event tomorrow. Times Square. Noon.
"
Does anyone have tangible confirmation, beyond the message boards, on this? Trying to plan out my day, but don't want to go into midtown on the holiday weekend, if nothing is actually happening."
Only thing I could find was a few folks re-tweeting on twitter the same information.
OlBlueEyes said: "I contrast the overwhelming reaction to the death of Stephen Sondheim with the death of Richard Rodgers, who inconveniently died on the night before New Year's Eve, 1979. I'm not discussing the reaction of the theater community, but of the national media in general. The announcement of Rodgers's death was greeted with the same fervor as had the death of Soupy Sales."
I think it has to do with someone who worked in the theater world telling me that the worst person in the theater world she'd ever met was Richard Rodgers, and she met Arthur Laurents and Jerome Robbins.
Not every production/iteration recorded a cast album, and not all are available on Apple Music. If you notice something I missed, please let me know. But wanted to share this playlist of nearly 1300 of Stephen Sondheim's songs, running <73 hours. https://music.apple.com/us/playlist/stephen-sondheim/pl.u-8GolcomR1xA
Does anyone have tangible confirmation, beyond the message boards, on this? Trying to plan out my day, but don't want to go into midtown on the holiday weekend, if nothing is actually happening."
Only thing I could find was a few folks re-tweeting on twitter the same information."
Playbill is posting the same on Instagram. "At noon tomorrow, the Broadway community will gather to celebrate the life and art of Stephen Sondheim in Duffy Square in Times Square. Join Playbill and our dear friends for #SundayForSondheim Open to all."
JSquared2 said: "Major event tomorrow. Times Square. Noon.
"
If Broadway's best all come together in the middle of Times Square to sing "Sunday" like they did in the middle of the shutdown, I feel I will cry much harder this time if any video surfaces.
Two things happening on Sun, November 28 at 12 Noon:
– Times Square TKTS Booth Red Steps. At 12 Noon on Sunday the 28th, people from the Bway community will be singing SUNDAY. Open to the public. It's being put together by the League, the City, Eric Bergen, and Michael Moritz. #SUNDAYforSondheim
– Bethesda Fountain (Central park) Organized by Billy Bustamante. 11:30am Gather 12pm Singing. "Let’s gather & lift our voices to celebrate our beloved Stephen Sondheim. We’re gonna sing Sunday fr/ “Sunday in the Park with George”!Pick a part and come ready to SING!"
HogansHero said: "OlBlueEyes said: "The announcement of Rodgers's death was greeted with the same fervor as had the death of Soupy Sales."
Not to nitpick, but Soupy Sales outlived Richard Rodgers by three decades.
"Did Sondheim ever venture over into the world of Hammerstein's sentiment?"
Can you explain what you mean? {I'm not questioning it; I just don't understand what you mean.}"
Do they mean in terms of the work itself? I.e. that kind of sincere simple sappiness that might be found in Hammerstein's lyrics. If so, Sondheim does not tend to work in these territories much in my opinion, especially work after and including Company. However, he explicitly describes 'Loving you' from Passion as a Hammerstein-esque song.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000