European pop-operas are, and will remain, the hottest tickets in town.
More, please.
Why don't you go? Why don't you leave Manderley? He doesn't need you... he's got his memories. He doesn't love you, he wants to be alone again with her. You've nothing to stay for. You've nothing to live for really, have you?
"Carson has combined his passion for helping children with his love for one of Cincinnati's favorite past times - cornhole - to create a unique and exciting event perfect for a corporate outing, entertaining clients or family fun."
HOW is this still not a movie? This promo just highlights how completely cinematic the show is... It's definitely the most movie-like and "modern" of all the big pop-opera/mega-muscial hits. Baffling.
The trailer IS beautiful, which is probably why it took such a long time to produce (whereas other musicals tend to chug out their trailers rather quickly). The production, however, although brilliantly directed, isn't as "grand" as the trailer makes it look.
It's a great trailer. But having now seen this production twice. Unlike the original production, I found it suffers from the usual CamMac problem. It's over produced. It's only designed for people who know the score. Their is so much going on in the background, I thought it detracted from the intensity of the score. I know the score, inside out. But the people I went with, who didn't. Found most of it, difficult to follow.
"HOW is this still not a movie? This promo just highlights how completely cinematic the show is... It's definitely the most movie-like and "modern" of all the big pop-opera/mega-muscial hits. Baffling."
After Les Miserables came out, Cameron Mackintosh said that he didn't want to make another movie right away as he had found filmmaking to be a bit more time consuming, plus I think with the time he has now, he should probably be getting Miss Saigon back onto the public's radar in order to gain enough interest in a film version.