Joined: 12/31/69
Broadway Star Joined: 7/13/05
BEST LITTLE WHOREHOUSE GOES PUBLIC...It was stupid and cheesy...But I loved it! I also treasure my T-shirt from it!
Double post. Updated On: 4/15/06 at 12:18 PM
Broadway Legend Joined: 12/31/69
Dracula - musical
Six Dance Lessons in Six Weeks - play
Broadway Star Joined: 9/26/03
THE CIVIL WAR and TABOO
Please do not egg me for this but:
Sweeney Todd - Even though it was an artistic sucess, it did not recoup its investment on Broadway.
2002's FLOWER DRUM SONG. Also liked ALL SHOOK UP.
Broadway Legend Joined: 1/20/06
The Woman in White: It didn't close because of marketing (even though I used to think that) It closed because people were too lazy to listen closely and then think at the same time (someone said that in another thread...I agree)
Maria Friedman is amazing too.
MILLIE or SUNSET.
Understudy Joined: 6/2/05
Featured Actor Joined: 12/26/05
Broadway Star Joined: 8/7/06
SMILE
The revival of the Flower Drum Song!
SWEENEY TODD
The original production in 1979/80 did pay off through tours and post Broadway productions. ANd the current revival was classified as a hit in February.
And yes, MILLIE despite a 2 year run was a (financial) flop.
But we need to broaden the definition.
Financially shows are either hits or flops depending on whether they made money (or not.)
But many flops were successes (Hal Prince cites PACIFIC OVERTURES as one. It won awards, and continues to be revived to challange and fasciate audiences.) And these days a show can be a popular success and run 4 years and STILL not make it to the hit category.
I submit that a show that is a FAILURE is a production which does not achieve its goals, does not attract a significant audience (running 6 months or less) and does not have much of post-Broadway life through a tour, regional productions and community stagings.
Examples of recent FAILURES: IN MY LIFE (obviously), SWEET SMELL OF SUCCESS, JANE EYRE...
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
I would definitely not call Thoroughly Modern Millie a flop.
I was wondering the same thing....Millie wasn't a flop. I guess if Brooklyn is considered one, then its my favorite
Seussical. I know a lot of people didn't like it but I had a great time. I also liked Side Show. I won't say Taboo but I loved the cast album
Broadway Legend Joined: 4/5/04
As Frontrowcentre points out, "flop" is not an artistic assessment, it's a financial one. If a show did not recoup its initial investment, it's a "flop." Period. Even if it won awards and it ran for years, if it didn't pay back its original investment, then it' still a flop. Some of the greatest shows in the history of Broadway were flops, despite being artistic and critical successes.
Broadway Legend Joined: 7/28/05
Swing Joined: 5/25/06
The Wild Party
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